Though I've continued to work on the third installment of my Enoch books, I've felt it necessary to slow down and step back a bit so that I can see the lie of the land with fresh eyes. Hence my excursion into sixteenth-century Tashyas, a region broadly defined as the land between the Rio Grande and the southern Mississippi. This most recent story takes place among the pueblos near modern-day Santa Fe.
There's been a lot of talk lately about cultural appropriation. I guess these stories are my contribution to the debate / exacerbation of the problem. I can understand why a people would object to seeing part of their culture crassly replicated and accessorized, even in a well-meaning way. Then again, maybe not everything labeled as cultural appropriation actually does that. The world is a strange, confusing, and sometimes horrible place. We're all in it for a limited amount of time. We have to get through it as best we can, using whatever tools come to hand.
The Greek part of my family immigrated to America through Ellis Island. My great-grandfather, a baker from Mykonos, continued to ply his trade in Illinois. I'm told that the sourdough culture he brought with him still thrives in a bakery owned by some relatives. Families tell you lots of things like that. Maybe it isn't true. It would be cool if it were. Seems like a good metaphor, at any rate. I'll leave it as an exercise to draw the application.
(My mother's cousin also tells me that Mary Robeson, a.k.a. "Moldy Mary," acquired the moldy cantaloupe from which researchers cultivated the first strain of penicillin for mass production at a grocery owned by another branch of the family in Peoria. There's a bad pun here somewhere, but I'm not going to make it.)
Being one of my well-rounded readers, you know about the Heisenberg Uncertainty Principle. Basically, what you can know about a particle's motion is inversely proportional to what you can know about its position. There's no way to observe a system without altering the system. And the smaller the system is, the more true this is.
I went camping in New Mexico and Arizona a while back. As usual, I visited a few pueblos, mostly looking to buy pottery. At one point I spent an hour talking to a shop owner on Second Mesa in Hopi. His wife sold my boy an arrowhead and a leather pouch (at a discount, because he's an ingenuous kid) and filled it with blessed cornmeal. I bought a kachina doll. It's in my living room now. Maybe it's just the way our floorboards bounce, but the doll always mysteriously rotates to face the northwest, no matter how many times we put it back in its original position...
The Hopi pueblos have been inhabited for a thousand years. They were too far out of the way to be troubled by explorers and missionaries much, and their culture shows fewer marks of outside influence. The people seem friendly but reserved, and not too keen on strangers poking around. Not the kind of place you take pictures.
It's the Cultural Uncertainty Principle. You can't observe a system without perturbing it. They're well aware of that fact. So by what right do I go there? By no right, maybe. I try to be respectful. I contribute to the economy. But perhaps it would be better to just mind my own business. I'm writing this because I don't know the answer. Probably I'll just keep doing what I've been doing.
If you were to look back in my own family tree, you'd find Bohemian farmers, Greek islanders, Berbers from the Canaries, Spanish colonists in Puerto Rico, West African slaves, and Taino Indians. I'm descended from both conquerors and conquered. Should I be apologetic, or resentful? Clearly it would be silly for me to be either.
So, I guess I'll just try to lighten the burden of living, for myself and hopefully for others as well, by writing a few more Carvajal stories with blithe unconcern.
