Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Wednesday, June 1, 2016

Land of Enchantment and Atom Bombs

My painting of Taos Pueblo.
I just spent the better part of a week in the Santa Fe area. I've traveled, camped, and backpacked in New Mexico too many times to count, and Santa Fe is my favorite place to visit. Anyone who reads my blog knows that I delight in finding connections between seemingly far-separated subjects. Thanks to my trip, my brain is a whirl of such connections right now.

One thing that strikes me about Santa Fe is the almost painful juxtaposition of old and new. The region is the setting of Willa Cather's backward-looking Death Comes for the Archbishop (1927) as well as Aldous Huxley's forward-looking Brave New World (1931). For both authors, the pueblos represent a link to a world rooted in the past. From the former:
Father Latour lay with his ear to this crack for a long while, despite the cold that came from it. He told himself he was listening to one of the oldest voices of the earth. What he heard was the sound of a great underground river, flowing through a resounding cavern. The water was far, far below, perhaps as deep as the foot of the mountain, a flood moving in utter blackness under ribs of antediluvian rock. It was not a rushing noise, but the sound of a great flood moving with majesty and power.
     "It is terrible," he said at last, as he rose.
     "Si, Padre." Jacinto began spitting on the clay he had gouged out of the seam, and plastered it up again.
Whenever I'm in the area I pay a visit to Bandelier National Monument, where the Frijoles Canyon shelters the ruins of the ancient town of Tyuonyi, the descendants of whose builders dwell at Cochiti Pueblo to the south; perched almost on top of it is the National Laboratory at Los Alamos, where the Manhattan Project was undertaken and where the first atomic bombs were created; beyond that is San Ildefonso Pueblo. Thus are the forces of preservation and destruction violently juxtaposed.

Upon passing the National Laboratory on this trip, I was reminded of a quote from E. F. Schumacher's A Guide for the Perplexed, which I recently read:
The pursuit of science is a matter of taking stock and formulating recipes for action. Every recipe is a conditional sentence of the type, "If you want to achieve this or that, take such and such steps." [...] The test of a recipe is purely pragmatic – the proof of the pudding being in the eating. The perfections of this type of science are purely practical – the objective, i.e. independent of the character and interests of the operator, measurable, recordable, repeatable. Such knowledge is "public" in the sense that it can be used even by evil men for nefarious purposes; it gives power to anyone who manages to get hold of it. (Not surprisingly, therefore, many attempts are always being made to keep parts of this "public" knowledge secret!)
Schumacher opposes knowledge for manipulation (described here) to knowledge for understanding, without which our civilization is sinking ever deeper into "anguish, despair, and lack of freedom."

The Trinity nuclear test. [source]
"I am become Death, the destroyer of worlds."
[from the Bhagavad Gita, quoted by Robert Oppenheimer]
My interest in the history and culture of the region has led me to begin collecting pottery from the local pueblos. Each pueblo has its own distinctive style, such as the famous black-on-black technique developed by Maria Martinez of San Ildefonso Pueblo, which has been exhibited at world's fairs and major museums around the country.

My modest pottery collection. The second and third from the left are from
San Ildefonso, where many of Maria Martinez' kin are still in business.
The others are from Taos, Santa Clara, Acoma, and Santo Domingo.
I prefer to acquire the pottery by visiting the native artisans and sellers. Entering a pueblo is like stepping into a small foreign country, and you are very conscious of being a guest who might be tolerated but is not particularly welcome. Some, such as Santa Clara Pueblo, are fairly friendly and informal; others are quite strict, and some discourage outsiders altogether. On this trip I was fairly run off from Santo Domingo Pueblo for unknowingly approaching during a day of ceremonial dances, which are closed to outsiders.

Maria Martinez, who developed a new style of blackware, with physicist
Enrico Fermi, who worked on the Manhattan Project and created
the world's first nuclear reactor. [source]
At Santa Clara, a dealer from whom I ultimately bought a couple of pieces had a long talk with my family, explaining to my children in steps how the pottery was made. At one point he showed us a wedding picture of his grandparents: his grandfather, recently returned from service in World War I, in full uniform, beside his grandmother, looking rather sullen to have her picture taken, in a buckskin dress or robe, and two other men in full costume, with feathered headdresses. A wedding vase sat on the earth at their feet; ruinous adobe brick dwellings loomed behind.

My painting of the adobe church at Los Ranchos de Taos. This church
was painted many times by Georgia O'Keeffe. A thoroughly modern
abstract painter, she found refuge in northern New Mexico after her
years in New York.
Another site I never fail to visit is the Santuario de Chimayó, a major pilgrimage site and, depending on your outlook, a holy place or an instance of irrational fanaticism (or possibly a curious mixture of the two). The small adobe chapel, built in about 1816, lies at the bottom of a narrow valley on the High Road to Taos, surrounded by rocky red hills and juniper trees.

Chimayo in 1934. [source]
It resembles many such churches in northern New Mexico, with this exception: a tiny square room, called el pocito ("the little well"), reached through a door beside the altar, contains a round pit filled with "holy dirt," which can be taken away by the pilgrims and is reputed to perform cures. The long room running from el pocito alongside the nave holds numerous photos, ex-votos, and discarded crutches.

The town of Chimayó was named for a local hill, known as Tsi Mayoh in the Tewa tongue. Whether it was a site of devotion for the natives before colonial times is not clear. An old tradition holds that a pueblo formerly stood in the area; a book I have (purchased, of all places, at a tacky tourist gift shop in Clines Corners) describes the experiences of Maria Martinez upon visiting the chapel from nearby San Ildefonso.

My own picture of the Sanctuario, taken in 2007.
Most accounts have the chapel built by Don Bernardo Abeyta. An early member of Los Hermanos de la Fraternidad Piadosa de Nuestro Padre Jesús Nazareno (more commonly known as the Penitentes, about which more in a moment), Don Abeyta supposedly discovered an ancient crucifix at the pit's location while performing penitential exercises there on Good Friday sometime around 1810.

Signs in the Santuario museum suggest that the crucifix was left there by Spanish explorers. However that may be, Don Abeyta was seemingly devoted to the Christ of Esquipulas, worshiped at a basilica in Guatemala where the clay is also held to have curative properties, a belief possibly adopted from the native culture and "baptized" by the Spaniards. The museum speaks of the ceiba tree, which holds a central place in Maya mythology, hinting (on somewhat slender evidence, it is true) at other connections between Chimayó and the pre-Columbian religions of Central America.

Esquipulas Basilica, Guatemala, in 1895. [source]
The Penitentes are credited by some with preserving the Catholic faith in the area during the tumultuous period after the Catholic religious orders were expelled from Mexico. Cather's novel deals with the aftermath of this dark time very effectively. Linked with the medieval Flagellants (in spirit if not in historical continuity), the Penitentes were a secretive sect that the Church sought to suppress after the capture of the Southwest by the United States and the division of the current archdiocese from that of Durango.

An interesting book I have, Missions and Pueblos of the Old Southwest (1929), written by one Earle R. Forrest, who had once worked as a cowboy in the Arizona desert and had traveled throughout the area extensively before the arrival of the first automobiles, devotes a chapter to the Penitentes. According to him, the brothers would scourge themselves with chunks of cholla cactus woven into thongs of rope; crucifixion ceremonies were held in remote places at night, and sometimes the Cristo whose ardor was thus tested never returned.

The book is illustrated with photographs taken by the author; one depicts a Penitente morada, or meeting house, and another purports to be the only known photograph of a Penitente procession:


The piety of the Penitentes plays a role in Brave New World. The protagonist, John, raised on a Savage Reservation in New Mexico, becomes a sign of contradiction in the World State, and creates a public spectacle in his attempts at purification through self-flagellation:
"But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin."

Monday, July 6, 2015

History of the Conquest of Peru

One month ago I announced the commencement of my reading of William H. Prescott's History of the Conquest of Peru, to be attended, it was hoped, with the just fruits my labors, in the form of dinner at a local Mexican food restaurant or a weekend getaway at a river resort. The drawing has not yet taken place, but I have at any rate completed the book.

All told, it was five hundred pages in small print, fairly bristling with footnotes. Fortunately the allotment of raffle tickets respects hours of reading rather than page count. Much to my discredit, it's been a long time since I've read such a large, dense book, I, who once spent a week of Christmas vacation tearing through Gibbon!


I have several times mentioned my longstanding interest in the Spanish exploration and conquest of the New World. In the past my acquaintance has been mainly with the exploits of Cortés in Mexico, the fullest and most enjoyable account of which is Prescott's History of the Conquest of Mexico. (I have the two volumes in a Modern Library edition.) The conquest of Peru presents a very different picture. Cortés, it is true, was little better than a freebooter, waging a war of avarice and rapine against an empire that had done the Spanish crown no harm, but it's hard to think of a crueler nation with more iniquitous social institutions than that of the Aztecs. We needn't admire Cortés the man to appreciate his skill as a commander, and, while we may regret the extinction of the civilization from a romantic point of view, it's hard to mourn the end of its bloody subjugations and diabolical sacrifices.

But the Peruvian empire was of a gentler sort, waging war for the sake of expanding its dominions, and exerting an iron sway over its people, but never indulging in the refined cruelties of Mexico. And their conqueror, Francisco Pizarro, far exceeded Cortés in audacity, perfidy, and vindictiveness. He destroyed the empire in one bold stroke, by seizing the person of the Inca, without anything like the thrilling campaign that conquered Mexico. After his capture, that prince offered to ransom himself by filling a room with gold; though he fulfilled the terms of the agreement, his continued existence was too great an embarrassment, and Pizarro had him executed on a pretext. The mode of execution was to have been the stake, but, upon the Inca's acceptance of the Christian faith, this was commuted to strangulation, and a mass was said for the repose of his soul. The empire of the Inca dissolved like a dream.


It's the clash of civilizations that draws me to these histories, the seeming anachronism of Spanish caballeros encountering a scene out of Herodotus, the virgin beauty and splendor of the American empires crumbling before the Spanish crown. The book opens with a comprehensive description of Peruvian civilization: its system of roads and hanging bridges, its tiered crops rising on one mountain from the tropics to temperate climes, and, of course, its cyclopean architecture.
But the most renowned of the Peruvian temples, the pride of the capital, and the wonder of the empire, was at Cuzco, where, under the munificence of successive sovereigns, it had become so enriched, that it received the name of Coricancha, or "the Place of Gold." It consisted of a principal building and several chapels and inferior edifices, covering a large extent of ground in the heart of the city, and completely encompassed by a wall, which, with the edifices, was all constructed of stone. [...] 
The interior of the temple was the most worthy of admiration. It was literally a mine of gold. On the western wall was emblazoned a representation of the deity, consisting of a human countenance, looking forth from amidst innumerable rays of light, which emanated from it in every direction, in the same manner as the sun is often personified with us. The figure was engraved on a massive plate of gold of enormous dimensions, thickly powdered with emeralds and precious stones. It was so situated in front of the great eastern portal, that the rays of the morning sun fell directly upon it at its rising, lighting up the whole apartment with an effulgence that seemed more than natural, and which was reflected back from the golden ornaments with which the walls and ceiling were everywhere in crusted. Gold, in the figurative language of the people was "the tears wept by the sun," and every part of the interior of the temple glowed with burnished plates and studs of the precious metal. [...]
Adjoining the principal structure were several chapels of smaller dimensions. One of them was consecrated to the Moon, the deity held next in reverence, as the mother of the Incas. Her effigy was delineated in the same manner as that of the Sun, on a vast plate that nearly covered one side of the apartment. But this plate, as well as all the decorations of the building, was of silver, as suited to the pale, silvery light of the beautiful planet. There were three other chapels, one of which was dedicated to the host of Stars, who formed the bright court of the Sister of the Sun; another was consecrated to his dread ministers of vengeance, the Thunder and the Lightning; and a third, to the Rainbow, whose many-colored arch spanned the walls of the edifice with hues almost as radiant as its own.
As for the narrative, I most enjoyed the slow progress of Pizarro from the mangrove swamps and deserts of the coast, through the icy pinnacles of the Andes, and into the sheltered green vales of the thither slopes.
The descent of the sierra, though the Andes are less precipitous on their eastern side than towards the west, was attended with difficulties almost equal to those of the upward march; and the Spaniards felt no little satisfaction, when, on the seventh day, they arrived in view of the valley of Caxamalca, which, enamelled with all the beauties of cultivation, lay unrolled like a rich and variegated carpet of verdure, in strong contrast with the dark forms of the Andes, that rose up everywhere around it. The valley is of an oval shape, extending about five leagues in length by three in breadth. It was inhabited by a population of a superior character to any which the Spaniards had met on the other side of the mountains, as was argued by the superior style of their attire, and the greater cleanliness and comfort visible both in their persons and dwellings. As far as the eye could reach, the level tract exhibited the show of a diligent and thrifty husbandry. A broad river rolled through the meadows, supplying facilities for copious irrigation by means of the usual canals and subterraneous aqueducts. The land, intersected by verdant hedge- rows, was checkered with patches of various cultivation; for the soil was rich, and the climate, if less stimulating than that of the sultry regions of the coast, was more favorable to the hardy products of the temperate latitudes. Below the adventurers, with its white houses glittering in the sun, lay the little city of Caxamalca, like a sparkling gem on the dark skirts of the sierra. At the distance of about a league farther, across the valley, might be seen columns of vapor rising up towards the heavens, indicating the place of the famous hot baths, much frequented by the Peruvian princes. And here, too, was a spectacle less grateful to the eyes of the Spaniards; for along the slope of the hills a white cloud of pavilions was seen covering the ground, as thick as snow-flakes, for the space, apparently, of several miles.
For me the climax of the history is the moment Hernando Pizarro and Hernando de Soto ride up to the Inca at the steaming baths of Cajamarca. The death of Atahualpa takes place halfway through the history, most of the rest of which is concerned with the Spaniards' wrangling for control of the empire. For my money it might have closed with the assassination of Pizarro in Lima.
At length, Pizarro, unable, in the hurry of the moment, to adjust the fastenings of his cuirass, threw it away, and, enveloping one arm in his cloak, with the other seized his sword, and sprang to his brother's assistance. It was too late; for Alcantara was already staggering under the loss of blood, and soon fell to the ground. Pizarro threw himself on his invaders, like a lion roused in his lair, and dealt his blows with as much rapidity and force, as if age had no power to stiffen his limbs. "What ho!" he cried, "traitors! have you come to kill me in my own house?" The conspirators drew back for a moment, as two of their body fell under Pizarro's sword; but they quickly rallied, and, from their superior numbers, fought at great advantage by relieving one another in the assault. Still the passage was narrow, and the struggle lasted for some minutes, till both of Pizarro's pages were stretched by his side, when Rada, impatient of the delay, called out, "Why are we so long about it? Down with the tyrant!" and taking one of his companions, Narvaez, in his arms, he thrust him against the marquess. Pizarro, instantly grappling with his opponent, ran him through with his sword. But at that moment he received a wound in the throat, and reeling, he sank on the floor, while the swords of Rada and several of the conspirators were plunged into his body. "Jesu!" exclaimed the dying man, and, tracing a cross with his finger on the bloody floor, he bent down his head to kiss it, when a stroke, more friendly than the rest, put an end to his existence.
Two things subsequent to the death of Pizarro stand out, however. The first (which actually took place at the same time) is the disastrous expedition of his brother, Gonzalo Pizarro, from Quito into the Amazon basin.
At length the way-worn company came on a broad expanse of water formed by the Napo, one of the great tributaries of the Amazon, and which, though only a third or fourth rate river in America, would pass for one of the first magnitude in the Old World. The sight gladdened their hearts, as, by winding along its banks, they hoped to find a safer and more practicable route. After traversing its borders for a considerable distance, closely beset with thickets which it taxed their strength to the utmost to overcome, Gonzalo and his party came within hearing of a rushing noise that sounded like subterranean thunder. The river, lashed into fury, tumbled along over rapids with frightful velocity, and conducted them to the brink of a magnificent cataract, which, to their wondering fancies, rushed down in one vast volume of foam to the depth of twelve hundred feet! The appalling sounds which they had heard for the distance of six leagues were rendered yet more oppressive to the spirits by the gloomy stillness of the surrounding forests. The rude warriors were filled with sentiments of awe. Not a bark dimpled the waters. No living thing was to be seen but the wild tenants of the wilderness, the unwieldy boa, and the loathsome alligator basking on the borders of the stream. The trees towering in wide-spread magnificence towards the heavens, the river rolling on in its rocky bed as it had rolled for ages, the solitude and silence of the scene, broken only by the hoarse fall of waters, or the faint rustling of the woods,—all seemed to spread out around them in the same wild and primitive state as when they came from the hands of the Creator.
It was an ill-fated expedition, stricken by starvation and betrayal. Down in the jungle, almost overcome with sickness and fatigue, the men constructed a crude boat from felled timber, with nails made from the shoes of devoured horses, and the cavaliers' rain-rotted clothes to stop the holes. This was sent ahead to the populous village which, the natives assured them, was just downstream. The scouts, upon reaching the Amazon and finding no village in evidence, decided to explore the river down to the Atlantic and win the glory of its navigation rather than labor back upstream, and so abandoned their comrades to their fate. After months of waiting, Gonzalo marched the rest of the way to the confluence, discovered what had happened from a starving maroon, and, undaunted, led the survivors back to Quito, two and a half years after setting out. He went on to make himself tyrant of Peru before the inevitable turn of events saw him beheaded as a traitor to the crown.

And that's the second thing subsequent to Francisco's death that stands out to me: the deposing of Gonzalo at the hands of a humble ecclesiastic, Pedro de la Gasca, sent by Charles the Fifth to sort out the mess into which Peru had fallen.
Pizarro could not discern, that under this modest exterior lay a moral power, stronger than his own steel-clad battalions, which, operating silently on public opinion,—the more sure than it was silent,— was even now undermining his strength, like a subterraneous channel eating away the foundations of some stately edifice, that stands secure in its pride of place!
Without any ostentation or display of force, this unassuming, politic little man conquered the conquerors, and saw Pizarro beheaded and his ferocious octogenarian lieutenant, Francisco de Carvajal (the "Demon of the Andes"), drawn and quartered on the same day without having had to strike a single blow. He returned to Castile after setting the empire in order, and died a bishop many years later. Though the death of Francisco Pizarro seems the most logical place to end the history, Prescott seemingly has a rhetorical or artistic purpose in closing with Gasca.
After the dark and turbulent spirits with which we have been hitherto occupied, it is refreshing to dwell on a character like that of Gasca. In the long procession which has passed in review before us, we have seen only the mail-clad cavalier, brandishing his bloody lance, and mounted on his war-horse, riding over the helpless natives, or battling with his own friends and brothers; fierce, arrogant, and cruel, urged on by the lust of gold, or the scarce more honorable love of a bastard glory. Mingled with these qualities, indeed, we have seen sparkles of the chivalrous and romantic temper which belongs to the heroic age of Spain. But, with some honorable exceptions, it was the scum of her chivalry that resorted to Peru, and took service under the banner of the Pizarros. At the close of this long array of iron warriors, we behold the poor and humble missionary coming into the land on an errand of mercy, and everywhere proclaiming the glad tidings of peace.
Take-aways? It makes you queasy, the extent to which men will debase themselves for material gain. Latter-day preachers will tell you that the besetting sin of our age is materialism, by which they mean avarice, but to my mind our chief vice is sloth, acedia. But the Spaniards, now – they knew avarice. What's strange about it is the facility with which these freebooters mixed their bloody pursuits with religion. Prescott several times refers to the Crusades, but the Crusades, whatever course they may ultimately have taken, were to a great extent a matter of defense. The Turks besieged Vienna as late as the seventeenth century – think of that! But the American conquests – what mundane purpose did they serve, other than to fill the coffer? You can say, well, the Conquistadors' "religion" was just a matter of convenience, a pretext for doing what they wanted to do. Perhaps in some cases that's true. But that's too easy an out in general. No, you just have to accept that these men thought of themselves as righteous, as devout, even, while committing the cruelest atrocities. Such a chimera is man!

Still, the trouble with condemning the vices of historical figures is that you might very well be condemning their virtues. Each era has its own excesses and enormities and blind spots, our own no less than others. Prescott recognizes this, and I found Peru much less opinionated than Mexico, especially on the score of religion. Or perhaps I'm just less touchy now. At any rate, they're both excellent histories. We've made great advances in historical research in the last century and a half, but books like them just aren't written anymore.

As usual, I will conclude by saying that I want to get down to see the sites sometime. My father spent the better part of a year in Ecuador and Peru on state business when I was in college. He was stationed near the headwaters of the Amazon, in an environment similar to that encountered by Gonzalo Pizarro's expedition, I suppose. While there he sent me a fine watercolor bought from a street vendor. It depicts a mountain village with a church and natives in traditional garb, and hangs at a prominent place in my bedroom. I'm sitting here looking at it now, hoping that a trip to South America is in the cards for my future.

Thursday, June 4, 2015

History of the Conquest of America

Mural by Diego Rivera of life in Tenochtitlan, Palacio Nacional, Mexico City.
Summer is here, and our town library has kicked off its annual summer reading program for kids. Of course my kids always participate. They do pretty well in the raffle that follows, too.

Well, this year, there's a summer reading program for adults. Am I too proud to participate? No I'm not! Especially when the prizes comprise dinner for two at a local Mexican food restaurant, dinner for two at the country club, and a weekend getaway at a nearby river resort. The getaway and Mexican food sound pretty good; the country club dinner I think I'd scalp on e-Bay or something. At any rate, I've read less over the past few months than I like, so this is a much-needed spur.

So far I've read Prescott's History of the Conquest of Peru (1847) for about two and a half hours. (We keep a time log.) I read the same author's History of the Conquest of Mexico (1843) several years ago in a mammoth Modern Library edition that contains both volumes. They're good old narrative histories after the manner of Gibbon, based for the most part on primary sources.

There are, I'm sure, more up-to-date histories out there, with glossy pages and color photographs, but I'll take Prescott over them any day. It's strange, but we no longer seem as able to produce the sweeping historical narratives that our forebears did, preferring the safety of narrow monographs and the like. My three favorite periods of history to read about are ancient Greece (for which I go to Herodotus, Thucydides, and J. B. Bury's A History of Greece), the later Roman Empire and Age of Migrations (for which I read Gibbon's Decline and Fall and Bury's Later Roman Empire), and the Spanish conquest of America. There's no better source for the last than Prescott.

Now, the author, William H. Prescott (1796 – 1859), an American historian who went blind after being struck in the eye with a crusty piece of bread during a food fight at Harvard College (!), is, unfortunately, rabidly anti-Catholic. What moved him to devote his energies to a culture for which he had so little sympathy I'll never know. Yes, the conquistadors were a damnable mixture of devotion, chivalry, rapacity, and cruelty, which is what makes them such interesting reading. And I'll even admit that perhaps their religion had more than a little to do with that. But it's tiresome to have Romish superstition and bigotry and credulity excoriated on every other page, and compared unfavorably with Anglo-Saxon virtues and the Protestant work-ethic.

One thing he likes to do is draw parallels between the human sacrifice practiced by the Aztec priests and the inquisitions of the Dominicans. Now, the enormities of the Spanish Inquisition are indefensible, but they were in quite a different category from Aztec piety, which (according to his sources) waged war for the sole purpose of securing sacrifices, and slaughtered tens of thousands of captives on an annual basis. I mean, it makes a difference, doesn't it, whether an execution is viewed (however wrongly) as a last resort but a necessary evil to preserve the social order, or as an act of supreme worship, an end in its own right commended by the gods? Plus, Protestant countries were not above the vilest cruelty in matters of religion or the mass delusion of witch-hunts, something Prescott conveniently forgets. I cast no aspersions, mind you; such was the tenor of the times.

But even this I'm willing to forgive, for they really are excellent histories, nitpicked but never to be superseded.

Mural by Diego Rivera of El Tajin, Palacio Nacional, Mexico City.
Why do I love reading about the Conquest? Partly I identify with it more than with the history of Anglo America. My father is Puerto Rican, that is, a mixture of Spanish, West African, and South American Indian. A good bit of that side of the family came from the Canary Islands, a stage in Columbus' explorations. In fact, my great grandmother's maiden name was Colon (Columbus), and family tradition holds that we're descendants of Columbus' younger brother, which would make me a great nephew of the explorer himself.

But beyond that, it's hard for me to think of a more picturesque period, combining familiar landscapes with fabulous civilizations and legendary heroic exploits. In 1541, Francisco Vázquez de Coronado y Luján marched across the Texas panhandle in search of the Cities of Gold. Think of that! Think of the clash of civilizations: of storm-tossed Spanish galleons landing on golden New World coasts; of armored caballeros hacking their way through steamy jungles and assaulting piled strongholds of ancient splendor; of floating garden-cities surrounded by snow-capped mountains, ruled by cannibal potentates of luxuriant cruelty; of stout Cortez who with eagle eyes stared at the Pacific, silent, upon a peak in Darien.

Well, no doubt I'll have more to say about the conquest of Mexico and Peru once I'm done. Or, more likely, you'll start seeing it pop up in my stories in various ways. I would love to write "sangre and sorcery" tales set during the time of the Conquest, but I fear that I'd have to visit the locales to do it justice. One day, perhaps I'll do just that.